Pacing…in Writing…Is…Everything

stopwatch Image from clipartpanda.com free imagesPacing in writing is essential. It can make a story or break it. Good pacing can tune a good story into a masterpiece, or bad pacing can reduce it to caterwauls.

Some months back, I read a new book by an author I like. I expected good things. Unfortunately, the pacing of the story left me frustrated and just anxious to get the durn thing over with. The protagonist, an investigator, was frequently approached by a mystery woman who may have had information he needed. The meetings usually consisted of her appearing suddenly, saying she needed to tell him something, then leading him to a small café or down a deserted alley. She spoke cryptically; he asked questions which she danced around, they both became angry and she rushed off. Over and over.

The author may have thought the emotionally-fraught meetings were adding tension to the story, but they added little else. They added no additional information. They did not move the story forward. Their only purpose, that I could see, was to frustrate me and make me less inclined to care if I finished the book or not. Continue reading “Pacing…in Writing…Is…Everything”

September 15: Agatha Christie’s Birthday

Agatha-Christie-publicdomainDame Agatha Mary Clarissa Christie, (née Miller) was born on my birthday, September 15, although she made an earlier appearance than I did, in 1890. I always thought it was interesting that we shared a birthday and a vocation, so in honor of that special day this year, decided to find out more about her.

Most people know that she was a crime novelist, her books spawning such protagonists as Hercule Poirot and Miss Jane Marple. Her work as a playwright is also well known, especially her play The Mousetrap, the longest running play ever produced. Less people know that she also wrote short stories and even romances. These last were under a pseudonym, Mary Westmacott. Perhaps there is something to the mutable nature of Virgo, because I, too, write across several genres: action/adventure, fantasy, romance, paranormal, spiritual and satire. Continue reading “September 15: Agatha Christie’s Birthday”

Making a Splash at Book Festivals

Tucson Book FestivalI used to live in Tucson, Arizona, where they started a new Book Festival back in 2009. That first year, there were over 50,000 attendees, and by the third year that number had jumped to 100,000. Quite quickly, the Tucson Festival of Books was rated in the top 5 book festivals in the country. I attended every TFOB until I moved out of the area, and it was gratifying to see so many people excited about books and reading. But being used to smaller events in book stores and libraries, I quickly realized that a book festival of this magnitude was a completely different animal, and there was a lot to learn. Every year I did things a little differently, and every year I had a more successful time. Continue reading “Making a Splash at Book Festivals”

Stop the Chop: Writing Smooth Transitions

transitions8Have you ever read a book where the scene is progressing nicely, things are happening, people are talking and then … you’re somewhere else. From one paragraph to the next, you’ve gone from a moonlit beach to a crowded avenue. You were just starting to understand the relationship between John and Marsha and now suddenly you’re introduced to Tony.

“Marsha, hello,” John called brightly. He was obviously pleased to see her. His eyes shone at her with reflected moonlight.

“Hello, John.” Her voice was low, cautious. Her eyes darted nervously about the deserted beach, and she caught her lower lip in her teeth.

“How are you?” he asked as he stopped in front of her.

Tony cursed the Black Friday crowds while he shouldered his way down the sidewalk. He hated shopping.

Does this make you do a double-take? Do you have to go back and re-read just to make sure you didn’t miss something? In recent months I’ve read more than a few books that had trouble with transitions. Now I’ve yammered on before about how, when we write, we need to make sure the reader is flowing along with us effortlessly. Yes, there may be drama in the story and yes, there may be tension, but there shouldn’t be any of that in the reader’s efforts to follow the story. The reader may need to work at piecing out the story line in a thriller, may need to tease out the truth from the lies and misdirections in a mystery, but they should not have to work at following the writing. In my opinion, if the reader does have to work at that, we haven’t done our job well at all. Continue reading “Stop the Chop: Writing Smooth Transitions”