Guest post
by Walt Morton
There is a pact between every author and every reader. The pact goes like this: “I, the author, will tell you a story with characters and events so interesting and true you’ll enjoy every word to the very end.” But sometimes, good intentions fail and the story stinks. The betrayed reader throws the book into the trash and swears never to read the %&$*$ writer again.
The worst offense is when the pact between writer and reader fractures because the writer presents something false, unbelievable, or inconsistent with real life experience. Among Hollywood screenwriters, the relevant tenet is called “suspension of disbelief.” The concept originated with the poet Coleridge in 1817 who said if writers put “human interest and a semblance of truth” into stories then readers would not be put off by any implausibility of the narrative. But what are the three big violations of plausibility that most frequently send books into the trash? Continue reading “Make Me Believe the Unbelievable”