Tag: traditional publishing

Trad. vs Indie, a Personal View – Encore

Author John Barlow
Author John Barlow

[John’s on hiatus, so let’s revisit his post which started it all. Enjoy. – The Editors.]

I’ve been lucky as an author. Without ever making it onto the bestseller lists, I’ve managed to keep going as a free-lance writer since I quit my day job in 2004. Work as a journalist and ghost-writer has helped to make ends meet, but writing books for traditional publishers has been the main focus of my energy.

However, I recently began to ask myself whether it still made sense for a mid-lister like me to keep chasing traditional book deals as part of the professional mix of a free-lancer? As the indie revolution gains momentum, more and more writers are thinking of jumping ship. Last year I indie-published a humorous novel to test the water, using a pseudonym. The experience was strangely enjoyable, so with my latest serious work of fiction, a crime mystery, I’ve gone totally Kindle (and Kobo etc.). Here are a few thoughts on my experiences on my trad-to-indie switch. Continue reading “Trad. vs Indie, a Personal View – Encore”

In the E-reader era…

I saw this article in my local newspaper – http://www.nytimes.com/2012/05/13/business/in-e-reader-age-of-writers-cramp-a-book-a-year-is-slacking.html – borrowed from the New York Times – and I just shook my head. I feel for the writers who commented, really I do. The notion of having to write a novel a year? That’s tough. (Just look at James Patterson. Oh… bad example.)

It’s also an artificial construct. In other words, a lie.

I admire all the writers mentioned, and I do feel bad for them if they feel they have to write 2000 words a day 7 days a week. That’s a lot of words. 730,000 to be precise.  That’s the equivalent of two epic fantasies and a few novels. So, I feel bad.

After all, it’s partly my fault, and the fault of a friend of mine. She writes at least three series for a mid-level publisher and puts out the equivalent of two books a month, much less a year. Her erotic novels put her on the USA Today bestseller list.

Of course, I do have to point out that the one novel a year concept is a creation of the publisher, not the writer. Continue reading “In the E-reader era…”

The Impact of the Dept. of Justice Investigation

The Indie Author in the world of Publishing

Last week, on March 24, 2012, we looked at a brief history of eBooks, Publishers and the Agency vs. Wholesale pricing model. You can review that post here.

Ironically,on Thursday March 29, 2012, the Huffington Post ran a story by Mark Coker the founder of Smashwords. Most of you are familiar with Smashwords as one of the first distributors to supply eBooks to retailers including, Apple iBookstore, Barnes & Noble, Sony, Kobo, the Diesel eBook Store, and Baker and Taylor. Continue reading “The Impact of the Dept. of Justice Investigation”

Reinventing the wheel

Image courtesy blindingstars.com

Writing in 2012 is nothing like it was in 2000. And it was different during other periods, too. Take 1910 to the post WWII days: it was nothing like it was in the 1960s. Writing provides dips and bumps in the landscape, forcing writers into different turns and bends.

What do I mean exactly? Well – writers have always written, and they have always either kept to, or broken, the conventions of the day. Conventions have not always been the same ones we observe now, because language evolves and morphs through use. Custom and usage twists custom and usage out of the present shape into the next unpredictable one. You notice this if you carefully observe the speech and patterns of newsreaders. And goodness me – you certainly notice it in novels. Continue reading “Reinventing the wheel”