I think the reason we have so much trouble nowadays with slippery POV (Point of View) in novels is that so many new writers were brought up on film and TV. And many of these people mix up POV with camera angle. They think that because the film camera jumps all over and shows us the action from different angles, the writer can jump all over and show the action from the point of view of different characters. But these two concepts are not the same, even in film. When you move to a novel, it’s a different technique altogether. Because POV is not about what anyone sees. It’s about feeling what the character feels.
Most camera shots, in literary terms, are omniscient. Fly on the wall. The director chooses the shot to be from the best position to reveal what the director wants us to see. There is no pretense that the viewer is actually in that position. Continue reading “Novel Point of View is NOT Camera Angle”
This should be called “Mistakes I Made That You Shouldn’t” series. Once more, you lucky people
Whether you design your own book exterior and interior or are working with a professional, here are a few precepts that will guide you towards a better product, and thus more sales.
One of the most difficult things for authors to do is improve the tone or style of our writing. Tone especially is a nebulous, hard-to-define quality that is essential to the reader’s enjoyment of our work, but we rarely get specific feedback about it, or find any way we can fix it if something is wrong. And feedback is essential, because these qualities are so intuitive that it is difficult to self-analyze. It’s easy to figure out that you use more commas than most writers. It’s much more difficult to realize that you sound “preachy,” and even harder to fix the problem.