Category: Staff Articles

Writing advice and insights from the staff of Indies Unlimited.

The Sincerest Form of Flattery

Have you ever been intellectually robbed? Have you ever shared an idea with friends, only to see your inspiration copied with no credit given? I wanted to chastise you for feeling sorry for yourself, but a couple of my colleagues have already taken you to task. Are you awake and ready for a bit of ego building? I am happy to do it. Sip your cocktail of choice and relax. Here is my question: Why is it a good thing if people want to borrow your ideas or copy your style?

It is a hot and humid afternoon in Manhattan. Babe Paley exits La Grenouille, the luncheon appointment concluded and she exchanges parting pleasantries with a few ‘ladies who lunch’. The city air is completely still, and the heat that rises from the pavement is stifling.  She casually removes the scarf knotted loosely around her neck, and so as not to lose it, ties it around the handle of her handbag in a soft, elegant bow. That effortless gesture is copied within weeks by stylish women across the country.

It is a windy day in Germany as Jacqueline Kennedy sits on the podium listening to speech after speech, smiling her now famously enigmatic smile. A gust of wind threatens to lift her pillbox hat from her head, and in an attempt to secure it, she dents it. The style catches on like wildfire, an accident soon copied by women all over the world. Continue reading “The Sincerest Form of Flattery”

Flamenco Dancing on a Dead Horse

K.S. Brooks by Richard Kridler
K. S. Brooks firing a Sig Sauer 2022 9MM by Richard Kridler

I’m not going to beat a dead horse. I’m going to Riverdance on that carcass. That’s right. Because I don’t bang my own head against a wall anymore. Shooting things is far more rewarding. And productive. And fun.

There’s been a lot of complaining going around lately. Some of it’s good, some of it’s annoying. This past Friday, my buddy Ed McNally wrote a brilliant post. If you missed it, read it here. Ed pointed out how much negative energy was being spent complaining instead of banding together and working towards a common goal. So I shall now add my two cents to the compendium. Continue reading “Flamenco Dancing on a Dead Horse”

So You’ve Decided to Become an Indie Author…

You’re one of those people with a vivid imagination and a way with words. Your friends all tell you you are smart or deep or articulate or funny or witty or creative. You spin stories and people love those stories. They have been telling you for years you should write a book, because they would definitely buy that book.

Maybe you have characters in your head whose stories are demanding to be told, who will not leave you alone until you sit down at a computer and let it flow. Maybe these characters in your head talk to you, and you talk back to them, and the medication doesn’t seem to be helping at all.

So, you’ve decided to become an indie author. Wise choice. Now you’re thinking about:

  • Fame
  • Wealth
  • Critical Acclaim

These are just three of the things that won’t be happening anytime soon. But don’t worry, all is not lost. I’m here with some helpful tips on how to survive on an indie author income of tens of dollars a year. You won’t have to do this for long, of course, because your big break is right around the corner. I can feel it. But, until then, this may be a big adjustment if you’re used to having things like spending money and electricity. Here are 7 suggestions that will help ease the transition: Continue reading “So You’ve Decided to Become an Indie Author…”

Paying the fiddler

We are told to avoid clichés. As writers, we are supposed to be original and thought-provoking. I suggest, however  – after over a quarter of a century of devising original sentences to put end to end in original works – that nothing moves a reader more than recognition.

Seeking originality, being inventive, and coming up with a piece of writing that’s totally unique has its drawbacks. It might not be liked. Readers might not understand what you are getting at. They might not see your premise. Where you are coming from might be a place they have never visited, and so not be able to identify. Or identify with. Continue reading “Paying the fiddler”