A few years ago, I detailed my first experience with using ACX to produce an audio book of my non-fiction work. While the experience was positive, I let the lure of audio books lie fallow for quite a while. I was too busy writing, apparently. But in that writing, I hit upon an idea for a paranormal mystery series, which has become quite popular, and I began to rethink the audio book format. I know the series Outlander has done very well with audio books, so I thought, why not mine? Continue reading “Audio Books: Working with a Narrator”
A couple of years ago Melissa Bowersock wrote a helpful post on her experience with using ACX to create an audiobook. A couple of things have changed since then, so I thought it might be helpful to recap and walk through my most recent experiences with ACX.
One of the best changes is that ACX is now open to UK authors and producers. Until 2014, that wasn’t the case. In addition, while ACX has always sent U.S. authors and producers a batch of 25 free Audible coupon codes upon publication, they will now send a batch of 25 UK codes, as well, if requested. This is important, because the codes are country-specific. I recently submitted a couple of audiobooks to a review site in which reviewers are from both the U.S. and UK. It was nice to have codes that would work for all reviewers, regardless of location. Continue reading “Tips for Turning Your Book into an Audiobook with ACX.com”
Recently I embarked on a new challenge, converting one of my books into an audio book. ACX is an Amazon company much like CreateSpace in that it provides an easy, affordable way to produce books, in this case audio books rather than physical books. ACX acts rather like a passive agent, creating a neutral middle ground where authors and producers can meet and explore working together. It’s a fairly simple and straightforward process.
I registered information about my book Marcia Gates: Angel of Bataan back in March of last year. I uploaded the first chapter, the blurb, the cover image, my desire for a female voice and my choice for a payment arrangement. There are two ways to pay for a book producer/narrator: one is to pay them up front for their time, estimated to be roughly between $100-200 an hour; the second way is to pay no up-front fees and split the royalties with them 50/50. I chose the latter for several reasons. First, I was not comfortable parting with a large up-front outlay when I was trialing this whole idea for the first time, and it made sense to me that if the producer were to be heavily invested in the success of the book (i.e. royalties), s/he would do his/her utmost to promote it just as I would. Continue reading “The ACX Experience – From Printed Page to Audio Book”
by Rita Plush
How we love to hear stories. The human voice, its richness and intonations takes us into make believe worlds.
And I love that my book, Lily Steps Out, has stepped off the monitor screen and printed page into the listening world as an audio book. After all the work of writing (5 years) and getting Lily into print (tack on another 7), it was pure pleasure to hear my story told through my characters. And because I think my fellow Indie Authors will benefit from my experience, I’m spreading the word—or words as we writers are inclined to spread.
I learned about ACX—Audiobook Creation Exchange—owned by Amazon (isn’t everything?) from a fellow author who said the procedure of getting a print or eBook into a listening format was “pretty much painless” and she was right. This this is the gist of how I did it: Continue reading “Books on Audio: Let Your Audience Hear Your Characters Speak”