I’ve written a couple of posts on my adventures with audio books: how to get connected with a narrator and how to use free promo codes. I’m sorry to report that the bubble has burst, and Audible has recently made a change that seriously impairs promotion efforts and even production efforts.
Previously, Audible (through Amazon’s subsidiary, ACX) would grant up to 50 free promo codes to both authors and narrators who split the royalties on a book for which they collaborated, 25 for the U.S. and 25 for the UK. If you used up all your codes, you could always request more. The fabulous thing about this was that you could give away the codes, readers/listeners could download the free books, and you still got your royalties. Audible got new customers or reinforced their relationship with habitual customers, so it was a win/win/win.
Well, as so often happens, scammers went to work figuring out how to Continue reading “Trouble in Audible”
A few years ago, I detailed my first experience with
A couple of years ago Melissa Bowersock wrote a helpful post on her experience with
I registered information about my book Marcia Gates: Angel of Bataan back in March of last year. I uploaded the first chapter, the blurb, the cover image, my desire for a female voice and my choice for a payment arrangement. There are two ways to pay for a book producer/narrator: one is to pay them up front for their time, estimated to be roughly between $100-200 an hour; the second way is to pay no up-front fees and split the royalties with them 50/50. I chose the latter for several reasons. First, I was not comfortable parting with a large up-front outlay when I was trialing this whole idea for the first time, and it made sense to me that if the producer were to be heavily invested in the success of the book (i.e. royalties), s/he would do his/her utmost to promote it just as I would.