Many of us, in our writing odysseys, have had intervals working with traditional publishers, some more reputable than others, and many of us have seen those arrangements come to an end for one reason or another. Our IU mailbag often includes letters from writers who have been taken in by predatory publishers and who want to cut their ties, but also from writers published by small presses that have come on hard times and shuttered their doors. While the larger issue of what to do to get out of a bad contract or when your publisher goes belly-up would take more time to detail, let’s concentrate on one part of that equation: the book cover design.
If this issue resonates for you, the first thing we would suggest Continue reading “When You Split with Your Publisher: Book Covers”
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In this age of cooperation among writers (much better than competition!), it seems like we see a lot more collaborative efforts. From multiple writers on a single book to multiple writers banding together to create boxed sets, more and more authors are finding supportive boosts from working together: the antithesis of the lonely writer squirreled away at a corner desk, writing in dim isolation. The only drawback (if that’s what you want to call it) is the added consideration of how rights are assigned and profits are distributed.
Imagine for a moment that a Big 6 publisher like Random Penguin, Simon, Garfunkel & Schuster, or Harley-Quinn comes knocking at your door. They want to add you to their select stable of published authors. You—yes, you—will now be among the anointed. All you have to do is take the deal. Just sign on the dotted line.