The Editing Myth

editingPeriodically a new blog post or article surfaces that complains bitterly about the proliferation of indie authors, the inundation of the unwashed that is swamping Amazon and muddying the waters for the traditionally-published. This almost always boils down to two major points: (1) just ANYbody can self-publish (which obviously is very true but sounds suspiciously like sour grapes to me) and (2) indie books sometimes (maybe more than sometimes) need more editing than they get. Very often these posts bleat about the fact that if authors wait and work to be picked up by a traditional house, they will have the benefit of thoughtful, detailed, professional editing and will, therefore, produce better books.

I beg to differ.

My first book was published in 1984 by a New York house. The book was complete when they optioned it and they never suggested so much as a comma to me. The fact that they accepted the manuscript verbatim and had zero editorial suggestions seemed like a silent nod of approval, and on good days I could believe that if I wanted. On bad days, I might just believe they deemed the book “good enough” and were not interested in spending time polishing it. When I got a letter from them saying I needed to add 70 pages to get to the proper page count, there was no hint of what the content should be. Story line, plot points or character development all seemed to be of no concern whatsoever. I duly added the pages, resubmitted them, and the book went to publication without any other changes. Even my few typos went in exactly as my fingers mangled them. Continue reading “The Editing Myth”

The Editor’s Fedora (Part 2 of 2)

Guest post
by David Antrobus

[This is part 2 of a 2 part post. See part one here.]

Now we arrive at the crucial topic of cost, and the seemingly arbitrary variations in same. Some editors are so brilliant that they really can and do charge top dollar. I know someone who can quote $5,000 for editing an 80,000-word manuscript. Before you gag on that, two things: at that rarefied level, it’s an incredibly skilled and precise and comprehensive service that almost literally dots every I and crosses every T. Each word is examined, plus the context of the words amid the whole. Each punctuation mark is carefully considered. For example, did you know that Microsoft Word will turn smart quotes the wrong way if you type them after an em-dash (something that’s quite common in dialogue)? A good editor/proofreader will catch every instance and flip them back the right way. Same with the single quote you get when you type an apostrophe at the beginning of a word, as in ’80s. Or double spaces between sentences. Consistent indents. Catching homophones. POV shifts. There are myriad ways in which a good editor’s eagle eye is essential. Done well, it truly is the greatest hybrid of art and science. But the writer’s job at this point is simply to ensure that prospective editors are as good as they claim. Feel free to test them. Send them a sample rife with errors and see if they catch them all. If they miss a couple, that’s not disastrous—no one catches 100 percent—but if they catch only half or two-thirds, politely move on. Continue reading “The Editor’s Fedora (Part 2 of 2)”

The Editor’s Fedora (Part 1 of 2)

Guest post
by David Antrobus
[This is part 1 of a 2 part post. See part two here.]

As an independent writer myself, and a passionate believer in the indie ethic, I also have to acknowledge one of its major downsides: a real or perceived shoddiness in the final product of self-published authors. Which is where I now switch hats and replace the bohemian beret of the writer with a more conservative form of headgear: the editor’s fedora, if you like. And no, I don’t actually wear hats; it’s a metaphor. Keep up.

But look. When it comes to editing, I have noticed a surprising amount of cluelessness out there in indie land. So, in the interests of demystifying it somewhat, I came up with this post. Let’s state some obvious stuff first. Continue reading “The Editor’s Fedora (Part 1 of 2)”

Seven Things to Avoid When Self-Publishing

So This is Christmas, new novel by Jim DevittHere at Indies Unlimited, we share with you things that you should do to help you be more successful in your craft and business. Having just published my Christmas novel, So This is Christmas, I’d like to write about some of the things you shouldn’t do when publishing your book.

  1. If you are publishing a Christmas book, don’t think that picking it up in August to revise and edit is enough time. Aaaaaaagh. I wrote the book last year with the thinking that I could put it out for December 2012. Hah! I shelved it and brought it back out for revisions and editing in August. All of the sudden—it was Thanksgiving. Continue reading “Seven Things to Avoid When Self-Publishing”