Disparity — defined as the lack of agreement between internal perceptions with external behavior. So what does that have to do with writing? Simply put, what we think about our writing is always different from the public’s perception. There’s a huge gap in what we see in our writing and what others see in it.
“So what, of course there’s a huge difference.”
Sometimes that difference can be bad, as the Evil Mastermind explored in this article about Misadventures in Wordcraft. Those are just little instances – sentences, phrases, awkward misplaced modifiers. Of course, then there are the big picture instances where you don’t make your point at all. Continue reading “Do You Know How Others See Your Writing?”
Pacing in writing is essential. It can make a story or break it. Good pacing can tune a good story into a masterpiece, or bad pacing can reduce it to caterwauls.
Have you ever read a book where the scene is progressing nicely, things are happening, people are talking and then … you’re somewhere else. From one paragraph to the next, you’ve gone from a moonlit beach to a crowded avenue. You were just starting to understand the relationship between John and Marsha and now suddenly you’re introduced to Tony.
It’s a real rush to pass on a tip from Lawrence Block because he just might be the most major monster in crime fiction. Consider: he’s author of over forty novels (and that’s just under his own name — not counting another 50 or so under various noms du travail). But it goes way beyond that. He’s one of those writers that everybody in his field has read, and most other writers in that field have been influenced by. His Matt Scudder series is an uber-classic, a modern version of Chandler or Hammett. But with a more human character arc, readers watched Scudder come to grips with his alcoholism. Scudder alone would enshrine Mr. Block in the Crime Hall of Fame…