Stephen Hise is the Evil Mastermind and founder of Indies Unlimited. Hise is an independent author and an avid supporter of the indie author movement. Learn more about Stephen at his website or his Amazon author page.
"What we've got here is a failure to communicate."
Everyone knows that readers have subject preferences. Not everyone will like a story even if it is very well written. It is not literary failure if someone doesn’t like your story because they don’t like that kind of story. It is failure if a reader normally likes the kind of story you wrote, but doesn’t like yours. They don’t have a beef with the editing or the grammar or the genre or even the idea of the story—they just did not like what you wrote or the way you wrote it.
Where most writing fails, it does so because the original idea of the story the author wished to convey to the reader gets lost in translation.
Once upon a time, Mark and his wife Lesleyann wrote a novel about daytime dramas (soap operas). Despite having a top tier New York lit agent, they were unable to elicit any interest from the traditional publishing houses. So, in 2008, Mark founded Smashwords to accelerate the death spiral of the bloated, inefficient, out-dated publishing industry—or as he put it: “to change the way books are published, marketed and sold.”
One cannot help but wonder if the indie author movement would be what it is today had his and Lesleyann’s novel, Boob Tube, been picked up by any of the publishers to whom it was shopped. That sounds like a good idea for an alternative reality novel. I wonder if Random Penguin, or whoever, would be interested in that idea for a book? Probably not. They don’t like ideas at Random Penguin.
Anyway, thanks to Mark Coker making Lamborghinis out of lemons, there is a vibrant indie author movement. Today is the gentleman’s birthday. What better way to celebrate it than to buy a copy of the book that started it all?
Boob Tube
Welcome to Boob Tube, a novel that takes readers behind the scenes of the wild and wacky world of daytime television soap operas.
When Actress Gina Martin lands a role on a top daytime soap, she soon discovers herself immersed in a strange but exciting world filled with mystery, intrigue and danger. Days after she joins the cast, her predecessor is found dead in the Hollywood hills. Will Gina be next?
Boob introduces a cast of characters inspired by real soap opera industry insiders.
As research for the novel, Lesleyann Coker (a former reporter for Soap Opera Weekly Magazine) and her husband Mark performed in-depth interviews with dozens of soap opera industry insiders who dished stories stranger than fiction. The authors wove their stories into Boob Tube. Enjoy!
We are at the beginning of a technological revolution in how books are written, published, marketed, purchased, and read. This site is dedicated to the independent authors, publishers, reviewers and readers who are on the cutting edge of that technological revolution.
A major challenge for any indie author is the lack of established infrastructure in place to market indie books. It can be challenging and time-consuming to get the word out about your book, to find reviewers, and to drive traffic to your website or Facebook page. As a new author, I was delighted to discover a very high level of mutual support and camaraderie in the indie author community. This platform is born from that spirit of mutual aid and support.
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[This is a golden oldie—it ran on Indies Unlimited back on October 13, 2011.]
In Part 1 of this series, we discussed what reviewers do and do not want to see from books they review. In Part 2, we covered the etiquette of the relationship between an author and a reviewer before and after a review. In this segment, we find out how reviewers feel indie authors stack up against the traditionally published authors, and where there may be room for growth and improvement.
Reviewers are certainly as diverse a group as authors. Each has his or her own style, preferences, and ethos. Add to this the fact that while these reviewers may have read some of the same titles and same authors, the overlap in the titles they read is likely small, potentially leaving each with an entirely different impression of the quality of indie writing. One could reasonably expect to see some variance of opinion on the quality of indie authors. Continue reading “What Reviewers Want (Part 3)”
