Tips from the Masters: Laurence Shames

Author Lin Robinson

Those who’ve followed my series on writing advice are in for a treat, because starting this month, it won’t be “tips from some dude on the web”, but favorite advice from some major professional writers, some best-sellers, some cult figures, some in my personal pantheon of admiration. Some of these might not seem like earth-shaking angles, but all are worth thinking over because these are people who’ve succeeded at the Master level.

It’s my great pleasure to start out with remarks from Laurence Shames, one of my handful of favorites, the kind of work I can read over and over. There doesn’t seem to be any normal route to writing success, but Larry’s “strategy” is more checkered than most. He was a hotshot magazine writer in New York, contributing editor to Esquire among other glittering credits. Unlike most blue-chip writers, he also did–and still does–ghostwriting, leading to two major flags on his career. He wrote a pseudonymously titled book called “Bad Twin”, which is significant to viewers of the “Lost” TV show, a story within the story that among other things created the fictional Hanso corporation that ran ads in newspapers denouncing it’s “defamation”. Yes, that’s damned weird. His big score was writing the 1991 NYT best-seller “Boss of Bosses” with two FBI agents. The score from that one enabled him to buy a house in Key West and get out of New York. He has ghosted best-sellers since, but it was the move to Key West that, as it has for others, started the magic. You owe it to yourself to read his series of eight luminous novels set there, starting with “Florida Straits”. Joey, scion of a New York mafia family, chucks it and drives down the Keys in search of himself. He strikes out trying to start his own mob in paradise, but comes out on his feet despite incursions of the Family From Hell. A core of a half-dozen characters keep the series linked, even if Joey and his girl aren’t present. Bert the Shirt, his “consigliere” for island ways is a main thread, along with his aging Chihuahua. Continue reading “Tips from the Masters: Laurence Shames”

Whose Truth will win?

Truth.

This is the moment of truth. So let’s deal in truth. You have chosen to become an indie author. Not often do I listen to the rhetoric or the naysayers out there in the publishing world, but it is time to listen to them, because for them, it is the TRUTH … because only then can we DECIDE—and then DISPLAY, just who we are.

Let’s lay it all on the table today. The complaints we hear about indie authors and their work come from all corners. Continue reading “Whose Truth will win?”

Ed’s Casual Friday: Seize the moment.

Carpe occasio.

There are a lot of good moments as a writer, stretched out over the course of writing (and hopefully, selling) a book. Maybe a line of description that you write which surprises you. Maybe something a character “says” that you could swear they did say, while your presence as a writer above the page or in front of the screen was just that: A presence. Like you watched it happen, without doing it yourself. Continue reading “Ed’s Casual Friday: Seize the moment.”

And Miles to Go Before I Sleep

It's big and it's spectacular!

I’ve often wondered how people know in advance how long they want their novels to be. I see occasional posts on Facebook that read something like, “Only 10,074 more words till I reach the end of my WIP!!! SQUEE!!!”

How do people figure out in advance how long they want their books to be? My brain just does not work that way. Probably because some sort of math would be involved.

I’ve also read stories about a publisher sending a manuscript back to an author with a note directing the author to add 15,000 words. I can only suppose this is how we end up with books that contain long passages in which the author describes in exquisite detail the flocking on the wallpaper in a room. In the same position, I might be tempted to add “All work and no play makes Jack a dull boy” 1500 times. Continue reading “And Miles to Go Before I Sleep”