My advice for most writers; if First Person doesn’t suit your writing style, your story and your genre, don’t use it.
If you want a good rundown on positive reasons, look at Ingrid Sundberg’s five-point analysis; all five are valid. Her next post is “Six Limitations of the First Person POV.” Read that one, too.
But It’s Easy
Yes, deceptively easy. As in, easy to do, hard to do well. In fact, First Person is one of the hardest styles of writing to do properly. Note that I use the term “style,” because First Person is more than just putting “I” in as the main character’s pronoun. It’s how you write it that makes the difference. Continue reading “Should I Write My Book in First Person?”
Point of View (PoV) is arguably the single most important skill in the storyteller’s armoury. Handled well, the story will benefit enormously; handled badly, the story will suffer enormously.
There are three basic storytelling PoVs: First Person, Second Person, and Third Person.
1. First Person PoV is when the writer tells the story through the eyes of the character, e.g.: “I waited at the checkout, but the person in front of me couldn’t make up their mind. If they didn’t hurry, I’d be late for my appointment.”
The main advantage is that the reader is as close as possible to the character’s feelings, and thus should become invested in the character’s story. The main disadvantage is that the writer is restricted to giving only the information which the First Person PoV character knows. Continue reading “Getting It Right – PoV for dummies”