In June, we looked at the most common Points-of-View used in fiction today: First Person, Third-Person Limited, and Third-Person Omniscient. In July, we examined some pitfalls to avoid in mastering POV.
Now let’s look at two POVs that aren’t so commonly used in fiction: Continue reading “Writers’ Font: Point of View Esoterica”
Point of View (PoV) is arguably the single most important skill in the storyteller’s armoury. Handled well, the story will benefit enormously; handled badly, the story will suffer enormously.
There are three basic storytelling PoVs: First Person, Second Person, and Third Person.
1. First Person PoV is when the writer tells the story through the eyes of the character, e.g.: “I waited at the checkout, but the person in front of me couldn’t make up their mind. If they didn’t hurry, I’d be late for my appointment.”
The main advantage is that the reader is as close as possible to the character’s feelings, and thus should become invested in the character’s story. The main disadvantage is that the writer is restricted to giving only the information which the First Person PoV character knows. Continue reading “Getting It Right – PoV for dummies”