It’s a question every author of fiction is familiar with in one form or another. “Is the main character really you?” “Which character is most like you?” Of course the answers always vary, but they also have similarities that we often overlook.
We are told to “write what we know,” and who do we know best but ourselves? Seems obvious doesn’t it? Not so fast. There are times when the obvious is way off base. And knowing ourselves is, in my opinion, one of those beliefs we take for granted that may not be true. Sometimes others may know us better than we know ourselves.
In general, we often hear there are two types of writers: pantsers and plotters. Pantsers write by the “seat of their pants,” tend not to plan very much, and let the story grow organically. Plotters plan out the story more, using outlines, story boards, or summary chapters. As with all writing, there is no one correct way, no right or wrong, just whatever works for any particular writer. Continue reading “Writing with the Subconscious”
This is the second part of my piece on subconscious writing. In Part One, I discussed outlining versus what some call “pantsing.” (Kat Brooks explained this to me as “writing by the seat of your pants,” which I believe explains it quite well.) But what happens after you’ve begun whatever it is you’re writing? How does subconscious writing play a part then?
I think one of the things that makes subconscious writing so difficult to explain is the whole “subconscious” part of it. So, please bear with me as I try to explain what I mean.