Tag: Writing

Meet the Author: Chris James

Author Chris James
Author Chris James

Chris James is an English science fiction writer who was born in Hampton Hill near London in 1967. In 1998 he moved to Warsaw, Poland, where he lives with his wife and three children. He published his first novel in 2010, a futuristic court-room thriller called Class Action, and his second in 2011, called The Second Internet Café, Part 1: The Dimension Researcher, which takes the sub-genre of Alternative Realities to its logical conclusion. He is currently writing the second part of The Second Internet Café trilogy.

Chris says when he writes, he concentrates on replicating what he enjoys most as a reader: a fast pace in the story, emotional involvement with the characters, and action, as well as story continuity that works. “Many things can take me out of a story that I’m reading: bad writing, bad editing, plot points that don’t make sense, clunky and dull exposition. These are all the things I try very hard to avoid when I write.”

Originalty and an interesting premise are important to Chris in his work. “Class Action came from one thought: what would happen if there was a technology that could see into the brain and extract everything, which made it impossible for suspects to lie under oath? The Second Internet Café came from: wouldn’t it be cool if there was a place where scientists knew where every single alternative reality was, and sent special researchers to go and investigate them?” Continue reading “Meet the Author: Chris James”

In the E-reader era…

I saw this article in my local newspaper – http://www.nytimes.com/2012/05/13/business/in-e-reader-age-of-writers-cramp-a-book-a-year-is-slacking.html – borrowed from the New York Times – and I just shook my head. I feel for the writers who commented, really I do. The notion of having to write a novel a year? That’s tough. (Just look at James Patterson. Oh… bad example.)

It’s also an artificial construct. In other words, a lie.

I admire all the writers mentioned, and I do feel bad for them if they feel they have to write 2000 words a day 7 days a week. That’s a lot of words. 730,000 to be precise.  That’s the equivalent of two epic fantasies and a few novels. So, I feel bad.

After all, it’s partly my fault, and the fault of a friend of mine. She writes at least three series for a mid-level publisher and puts out the equivalent of two books a month, much less a year. Her erotic novels put her on the USA Today bestseller list.

Of course, I do have to point out that the one novel a year concept is a creation of the publisher, not the writer. Continue reading “In the E-reader era…”

MOVE IT OR LOSE IT

Author Lin Robinson

Having dwelled, last month, on several posts about “rules” and concepts I advised writers to ignore or at least salt down, I thought I should balance it with some more positive material; tips to help writers work better. It surprises many to learn that I actually have a Bachelor’s degree in Creative Writing. From the University of Washington, to be precise: Go Huskies! But I learned more while writing for a living: meeting deadlines for newspapers, pressure to write better than the staff on magazines, measuring copy against sales figures for catalogs. And in all those classes and decades of exposure to pro writers, I only picked up a bare handful of tips that I feel are useful enough to pass along to others. So, since I rate in top echelons of truly wonderful guys, that’s what I’m going to do. These are things that actually help and actually work. They are additive, rather than prohibitive tips, ranging from truly simplistic to fairly arcane. And both kind of mystical.

I’ll start out at the simple end of the scale, with something that might just seem silly to many. But for some reason it works. I first heard it from the editor of an Army newspaper, and later, almost word for word, while interviewing a great American writer, the late Ross Thomas. Here goes. Continue reading “MOVE IT OR LOSE IT”

Sorry, We Can’t Use Funny by Barry Parham

Author Barry Parham

Not long ago, I wrote a book. I didn’t mean to – I had to. Somehow, I had managed to snub a minor deity, and I had to set things right.

I knew I didn’t have what it takes to write a novel. I’m missing a few essentials: a plot, a plan, intimacy with a bunch of interesting characters, vocabulary, discipline, talent.

No, I wanted to write something less dramatic, something more useless, something that lets me get away with gross grammatical gaffes like, for example, the previous paragraph. I wanted to write a weekly commentary and then find some newspaper to carry it, so I could get out of the numbing habit of actually working.

And so, for a while, I tried writing stuff and contacting newspapers all across America. But the newspapers kept telling me to get out of the way so they could finish dying.

So it didn’t go well, and now I focus on writing other things: online columns, long parole violation rationalizations, extended grocery shopping lists. Continue reading “Sorry, We Can’t Use Funny by Barry Parham”