Coping with Unsupportive Support

broken heartI think we’ve all had days in this writing business when it seems easier to just throw in the towel. The words aren’t coming, or the story’s not hanging together, or the sales aren’t happening, and you wonder whether it’s worth all the time and effort you put into it.

If you’re very, very lucky, you have a cheering section to keep you going. For some of us, it’s our fans; for others, it’s family members or friends. A kind or encouraging word from one of them is often enough to keep us plugging away.

But what if you don’t have a cheering section? Then what do you do? Continue reading “Coping with Unsupportive Support”

Anatomy of a Copyright Page

copyrightIndie publishing is full of learning experiences. One of them involves what to put on the copyright page of your book. (The copyright page, to be clear, is the page on the flip side, or verso, of the title page at the very beginning of your book.)

People put all sorts of junk on this page, but really, there is only one thing that’s pretty much required to be there: your copyright notice.

I’m going to digress for a moment and talk about copyright, because I’ve seen some bad info floating around the interwebs. As the creator of the work in question, you hold the copyright. Period. You can fill out a form and pay $35 to register your copyright with the U.S. gummint, or you can do any of the other things I’ve seen mentioned (e-mailing a copy of the work to yourself, mailing yourself a hard copy, etc.), but none of them are required. They will not grant you the copyright to your own work. You already own it. Continue reading “Anatomy of a Copyright Page”

To Select or Not to Select?

KDP Select logoBack in the good old days, before Amazon started tweaking their sales algorithms, an indie author would have been crazy not to enroll a book in KDP Select. You could put your book free for a few days, give away thousands of copies, and get a lovely bounce in paid sales when the promotion was over. Some indies made their careers from that bounce.

Of course, even in the heyday of Select, curmudgeons muttered darkly about Amazon being an evil corporation that would turn on indies when we least expected it, and so we shouldn’t be putting all our eggs in one basket, and so on. And some authors had books that sold pretty well at B&N and Kobo (although perhaps not as well as on Amazon). For these folks, Select might have been a temptation, but not enough of one to entice them into publishing with Amazon exclusively. Continue reading “To Select or Not to Select?”

Lather, Rinse, Explain, Repeat: Redundancy in Writing

Redundancy DeptYour main character has fled from the office she shares with a close co-worker and friend, and has run to the boss’s office. There, in a key scene, she has emoted all over herself, revealing a deep, dark personal secret thereby. (Yes, she still has a job at the end of the scene.) Now she’s back in her own office. Her friend gets in her face and says, “For the love of Pete, would you please tell me what this is all about?”

Your main character is hesitant, but then mutters to herself, “What the heck. The whole world will know by tomorrow.”

Choose what happens next:

  1. Your main character rehashes, practically word for word, the conversation she just had with the boss.
  2. Your main character gives her friend a severely truncated version of the conversation with the boss – the Reader’s Digest version, if you will.
  3. You, as the author, sum up the conversation in a sentence similar to this one: “She told her friend the whole story.”

Got your choice? Continue reading “Lather, Rinse, Explain, Repeat: Redundancy in Writing”