Guest Post
by Christine Frost
I confess — I’m a digital hoarder. Spending many years in the academic world and being a historical fiction author, I’ve collected a tremendous amount of research. Over the years, I’ve taken notes from countless books to ensure I’m accurately portraying the historical figures, cuisine, and cultures I’m portraying in my writing. It’s easy to get swept up in taking notes. New ideas for the story come with each interesting detail.
There is a delicate balance in historical fiction. In order to be able to move comfortably within the realm of the story you’re creating, the scale of research needed can be huge. The risk for writers is spooling out endless facts in prose just because there were dozens of fascinating details that were discovered in research. While working on my second novel, set in medieval Ireland, I happened to find a book describing everyday life in rural areas. Soot houses dotting the Irish landscape may provide just the right touch of authenticity, but an expository paragraph on their construction and functionality bogs down the narrative and removes the reader from the story. Continue reading “A Treasure Trove of Research Sources for Authors”
Guest Post
As a writer, I always like to make sure my work sounds realistic. Yes, I am writing fiction and yes, I do take poetic license when I need to. I still want my work to be dramatic and exciting, but I also want my work to be realistic.
‘Write what you know.’ We have all heard that statement in one context or another, but what does it mean? This is actually a beast that raises its head periodically, in many different guises, at Indies Unlimited. The ‘Get it right’ posts are just one guise; I think all of the staff and several guests have done at least one piece on the subject. ‘
I was being interviewed on an ABC (Australian Broadcasting Corporation) radio program last year and one of the questions put to me was, “So, being an historical fiction based on fact, I suppose you would have had to do some research for ‘Terra Nullius’; as apposed to, say, your usual genres of memoir or pure fiction?” The assumption being that the ‘memoirs’ came straight out of my memory, and the ‘fiction’ came straight out of my imagination.