A Fresh Set of Eyes

Author K. S. BrooksI’m a very literal person. Literally. I get straight to the point, with no hidden agenda or subtle hinting. So why does that change when I write?

This past Sunday, our own Evil Mastermind Stephen Hise wrote about how writing is indeed communicating, and how to prevent a failure to communicate. You may read his post here. He makes excellent points, of course (that’s why he’s the big boss and all that good stuff). But sometimes, you need a fresh set of eyes to ascertain you are in fact getting your point across.

I use two editors – one for grammar, sentence structure, and other technical issues like word repetition, word misuse, spelling, punctuation and story flaws. I use another editor to dig out what I’m trying to say when I think I’m saying it, but I’m really not. She’s my translator…my mind-reader: the person who knows how my mind works and what I’m thinking. She knows what I want to put down on the page. And she has no problem telling me when I haven’t done that. Sometimes it’s ouchy, but that’s okay because she’s my best friend.

I’m lucky to have someone I’ve known since sixth grade as a friend. Frankly, finding someone to put up with me for the past twenty years (shut up – I really am only 36 years-old…for the past 12 years, anyway) is nothing short of a miracle. She is the type of friend who can be brutally honest. I may not always care for the delivery of her critique since I prefer it wrapped in silky smooth Swiss chocolate…but I know she knows what she’s talking about. And it always makes my story, my book, and my writing better. Continue reading “A Fresh Set of Eyes”

Ed’s Casual Friday: After a colon…a hot mess.

And now for something completely different… I’m going to say a few words about grammar, and editors. And colons.

First-things-first for all you authors out there: You need an editor. I don’t even mean at the story/plot/character level, though a good editor is invaluable there, too. For my purposes here I just mean strictly as a proofreader. You may not think you do, but you do, and not because you can-t rite gud English. Continue reading “Ed’s Casual Friday: After a colon…a hot mess.”

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Hot And Fresh Out The Kitchen

Editing. Not a concept that fills most writers with joy. For many, it’s the unpleasant yet necessary shadow accompanying the act of writing itself, sort of how a painful rash can follow a good… um, hike through poison ivy. And I see why many of us feel that way, I really do. Or I did. Lately, along with extra wrinkles around my eyes and greyer hair at my temples (okay, not just my temples, but we don’t need to get all TMI, do we?), I’ve begun to appreciate editing for what it is. I’m not talking about the editing I do for others, necessarily, although I could be. No, I’m referring more to my own process in that regard. Something dawned on me: I’m starting to enjoy it. Now, either I am growing more masochistic than I ever believed possible, or my new realisation has actual substance. Again, for TMI-avoidance purposes, let’s go with the latter.

Here, I’ll just say it: editing is an integral part of the creative process and isn’t really qualitatively different from writing. What we tend to call “writing” is in fact “initial drafting” and what we often think of as “editing” is just a deeper form of “writing”. Every bit as creative, and potentially just as satisfying. At its best, it’s the layers of paint over the pencil sketch. I realise there may be folks reading this who are kind of looking askance at me and thinking “no, duh, did you just receive your first clue via a Wells Fargo stagecoach?”, and to those people I hold up my hands, guilty as charged: what others have perhaps known for a goodly while genuinely occurred to me, like, yesterday. Look, I’m a slow learner, okay, but at least I’m a learner. Continue reading “Hot And Fresh Out The Kitchen”