The structure of every story follows the pattern of the average human emotional experience. That pattern is the same, whether it’s a first kiss, eating a chocolate bar, having sex, or reading a full-length novel. Hollywood scriptwriters have found this pattern, follow it, and often make great heaps of money for their producers by doing so.
But how does this help the novel writer? We’re all much more “seat of the pants,” aren’t we? Creative, innovative, never following the crowd? Well, yes, we all have an intuitive grasp of the idea, or we wouldn’t be writers. But my experience is that a formula helps you most when you discover you’ve screwed up. Be as creative as you want, but when you finish your first draft and discover it’s flat, boring, and takes too long to get anywhere, what do you do? You go to the formula to see what you missed. Because it will be there.
My favourite crutch at times like that is Continue reading “Story Structure: All a Novelist Needs to Know”
The idea of formulas in writing always makes my nose wrinkle. Because to me, formula means repetition…and repetition in writing could very well lead to boredom. Have you ever had that? Followed an author you’ve loved for years only to find that by their tenth or fifteenth book you can finish it for them, because you already know how they roll and what they’re going to do with their characters?


