Tag: Writing advice

Too improbable? A Writing Tip from Arline Chase

Fall Wedding by Arline ChaseQuestion: You always advised your students to join writers’ groups as if they could give no other good advice they would, at least, ask “What have you written this week?” But I’m starting to think I ought to search for a new group. They all agree that my work is, “Too hard to believe” and all my plot twists are either “impossible” or “improbable.” Okay, my stuff “pushes the envelope.” But I have avidly read books with weirder plots than mine…any ideas?

Answer: Thinking back to my own writer’s group days (with many thanks to the critique sessions at IWWG) my best guess is that it’s either a lack of foreshadowing, or a failure to write the action convincingly. Knowing your work from your student days, my guess is foreshadowing.

It is important to foreshadow and many writers fear to do it, in case they give too much away. FORESHADOWING is a technique that leads the reader smoothly along, hinting at what is coming next. Foreshadowing makes future action more believable. Most of us don’t notice it, but when it’s not there, crises seem too precipitate, changes too sudden, surprises are — well, too much of a shock not to overcome some readers’ “Willing suspension of disbelief.” Continue reading “Too improbable? A Writing Tip from Arline Chase”

A Fresh Set of Eyes

Author K. S. BrooksI’m a very literal person. Literally. I get straight to the point, with no hidden agenda or subtle hinting. So why does that change when I write?

This past Sunday, our own Evil Mastermind Stephen Hise wrote about how writing is indeed communicating, and how to prevent a failure to communicate. You may read his post here. He makes excellent points, of course (that’s why he’s the big boss and all that good stuff). But sometimes, you need a fresh set of eyes to ascertain you are in fact getting your point across.

I use two editors – one for grammar, sentence structure, and other technical issues like word repetition, word misuse, spelling, punctuation and story flaws. I use another editor to dig out what I’m trying to say when I think I’m saying it, but I’m really not. She’s my translator…my mind-reader: the person who knows how my mind works and what I’m thinking. She knows what I want to put down on the page. And she has no problem telling me when I haven’t done that. Sometimes it’s ouchy, but that’s okay because she’s my best friend.

I’m lucky to have someone I’ve known since sixth grade as a friend. Frankly, finding someone to put up with me for the past twenty years (shut up – I really am only 36 years-old…for the past 12 years, anyway) is nothing short of a miracle. She is the type of friend who can be brutally honest. I may not always care for the delivery of her critique since I prefer it wrapped in silky smooth Swiss chocolate…but I know she knows what she’s talking about. And it always makes my story, my book, and my writing better. Continue reading “A Fresh Set of Eyes”

A Helping Hand…that annoying little…semicolon

rainbow punctuation-787593_640Yes, he’s very annoying. You don’t want to use him, you try to ignore him, but darn him, he’ll muscle in at every opportunity. So much so that he confuses you and drives you absolutely bonkers. And he has the absolute gall to wink at you…

; ; ; ;

Yes, I’m talking about the semicolon – a period and a comma, stacked up nice and neatly but seem to confuse and perplex so many people.

In fact, the instances in which the semicolon is used are comparatively few. Just remember two basic rules and you can’t go wrong. Continue reading “A Helping Hand…that annoying little…semicolon”

Quality/Control

Quality has suddenly become a buzzword in the Indie Community, whether it’s Indie books, gaming, movies, etc.

Imagine that!  (All of you should know by now that this is my personal bugaboo.)

It’s certainly become a topic on the readers forums on Amazon and elsewhere, as someone commented.  “All these freebies which we use as promo for sales seem to be creating an environment where some readers only go free because they toss it after one chapter if it’s rubbish and only pay for a “real” author.”  One response to the Indie title on one site was  “That’s good support for why attaching a label like “Indie” and trying to make it be a badge of quality might be more trouble than it’s worth. After all, eventually, the work defines the label, not the other way around.” As to that last, he’s right. The work does define the label, and for too many Indie writers that doesn’t seem to mean much. The gentleman in question added later  that there’s not much value for an author to call themselves Indie.  One author recently proposed that – lacking an editor – you should just post to the marketplace and wait for the readers to comment, then revise and repost.

That has to change or the perception that Indie writing is rubbish is one that will stick and all of our hard work will be for nothing. And the traditional publishers will be proven right, that this Wild West Indie publishing thing was just a flash in the pan, a global slush pile from which a rare few gems emerged. Continue reading “Quality/Control”