Last month I posted on the use of anthologies–book length collections of writing by several writers–as an optimal way for writers to break in, build “platform”, and promote their work and brand. This week I’ll examine it from the other side: the publishers, editors, curators, or whatever you want to call people who conceive, collect, and produce anthologies.
There are advantages to the “supply side” of this literary format, as well as the submission end. Hey, it’s a publication credit where somebody else provides all the content. It can help establish you as an editor and publisher in a pretty graphic way. There are few better ways to establish contacts with writers in a given field: not only by posting general calls for submission, but also as a “license” to contact writers of more prestige and request the honor. It’s an excellent promotional vehicle: just as you provide a boost to the various writers by the work of creating the book, you–and your line or imprint–benefit from their combined promotional efforts…and you can advertise your other works in the back pages. It’s a powerful tool for charities, causes, or communities: a large percentage of multi-author collections come out under some collective aegis such as a church, writer website, academic department, or cause like AIDS awareness or Breast Cancer prevention or Humane Society outreach. Continue reading “Anthologies (Part 2)”
I don’t think of myself a gambler. It is not the sort of thing I like. I have no problem with people who enjoy gambling. I am just not one of them.
Looking for a way to stand out from the crowd? Indies Unlimited is here to help.