Box? What box? We don’t need to think outside no box…!

On genres and tropes and gender roles and HEAs and HFNs and all the other neat little boxes some people still think we need to use….

For those who don’t know what a trope is, it’s a metaphor or literary device. I’ve seen the word used most often in regards to romance and erotica writing, where the ‘trope’ is the semi-requirement that all the heroes be tall and good-looking and every novel has to end Happily Ever After (HEA). Or, in the case of erotic romance sometimes just Happily For Now (HFN). Just recently I was dinged on this (dinged being my word for the sound made when someone whacks you upside the head) by a reader of one of my books. She said she liked the book overall but that it ‘couldn’t be a romance because it didn’t have an HEA’ and gave me one star.  Well… we won’t mention (often) that the book in question is a thriller, not particularly a romance – although it does have a romance in it – and the ending was pretty much telegraphed from the beginning, because I understand. Most of us who aren’t watching Game of Thrones want our happy endings. But as G.R.R. Martin has proven Continue reading “Box? What box? We don’t need to think outside no box…!”

A Perfect Rejection

Author John BarlowThis post is about rejection. More specifically, it is about a rejection letter that I received from an editor at Mulholland Books, an imprint of Little, Brown (Hachette).

My noir mystery What Ever Happened to Jerry Picco? was submitted to Mulholland by my (then) agent because it seemed to fit the imprint’s profile for intelligent, inventive crime. The book involves the disappearance of a midget porn star. However, it is not an explicit book; it’s about a missing pornographer, a sort of noir-romp with a few references to Shakespeare and fairy stories. NOT sexually explicit. Bear that in mind. Here’s the letter:

Thanks so much for the chance to consider WHAT EVER HAPPENED TO JERRY PICO? I took this under very close consideration; there’s much to like here. The writing, throughout, is pitch-perfect; Flores* is clearly in command of a masterful, thorough knowledge of the genre, and it shows in both his prose and in the bizarre, fringe characters with which he populates this well-executed novel of investigation (Pico’s wounded, needy and binge-drinking bombshell of a lover is especially appealing). Continue reading “A Perfect Rejection”

Week 18 Flash Fiction Challenge Poll

The time has arrived for IU readers to begin voting in this week’s Flash Fiction Competition. On behalf of the IU staff, I want to thank all the entrants for doing such a great job with the writing prompt and the merciless constraints of the exercise.

This week, there are 4 entries from which to choose. You may review the entries here. Please spread the word and encourage your friends to vote by using the share buttons at the bottom of the post!

The poll will be open until 5:00 PM (Pacific Daylight Time) Thursday

Select your favorite entry for the week 18 Flash Fiction Challenge: Gold Fever

  • Rich Meyer (42%, 13 Votes)
  • Ed Drury (32%, 10 Votes)
  • A. L. Kaplan (16%, 5 Votes)
  • Elisavietta Ritchie (10%, 3 Votes)

Total Voters: 31

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Sentinel Annual Short Story Competition 2012

The Sentinel Annual Short Story Competition has been introduced in 2012 to run side by side with their annual poetry competition. They are accepting submissions for previously unpublished short stories in English Language on any subject, in any style, up to 2000 words long.

First Prize: £500; Second Prize: £250; Third Prize: £125; High Commendation: £25 x 5

Fees: £5 per story for the first 2 stories, then £3.50 per story for any subsequent stories.

Closing Date: 30 November 2012

For more information, please visit their website.

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Indies Unlimited is pleased to provide this contest information for the convenience of our readers.  We do not, however, endorse this or any contest/competition.  Entrants should always research a competition prior to entering. [subscribe2]