Be Your Own Graphics Designer

This is an ongoing, basic course in graphic design for writers.

The complete resume of my education and credentials in graphic design can be expressed in one word: Nada.

And that’s why it might be worth listening to me. You’re a writer, possibly a small publisher. Like me. You probably don’t have art talent, can’t afford expensive programs, don’t have the time to study books or school courses aimed at producing designers and artists. Like me. And, like me, you have very specific needs: book covers, logos, banners, website graphics.

And speaking as a non-designer who has done pretty well in creating those things, I am telling you that you can do it. Using free or cheap programs, without a lot of didactic learning. Using ingenuity rather than money or talent. And having fun. Continue reading “Be Your Own Graphics Designer”

Anthologies (Part 2)

Last month I posted on the use of anthologies–book length collections of writing by several writers–as an optimal way for writers to break in, build “platform”, and promote their work and brand. This week I’ll examine it from the other side: the publishers, editors, curators, or whatever you want to call people who conceive, collect, and produce anthologies.

There are advantages to the “supply side” of this literary format, as well as the submission end. Hey, it’s a publication credit where somebody else provides all the content. It can help establish you as an editor and publisher in a pretty graphic way. There are few better ways to establish contacts with writers in a given field: not only by posting general calls for submission, but also as a “license” to contact writers of more prestige and request the honor. It’s an excellent promotional vehicle: just as you provide a boost to the various writers by the work of creating the book, you–and your line or imprint–benefit from their combined promotional efforts…and you can advertise your other works in the back pages. It’s a powerful tool for charities, causes, or communities: a large percentage of multi-author collections come out under some collective aegis such as a church, writer website, academic department, or cause like AIDS awareness or Breast Cancer prevention or Humane Society outreach. Continue reading “Anthologies (Part 2)”

The Benefits of Anthologies

This post is about an under-appreciated form of “platform building” that has a lot more side advantages than the ones you normally hear about. The concept of “platform” has become distorted. Originally it meant that you have a presence or recognition that will fuel sales. You’re a famous athlete, a major radio preacher, a business seminar star, a slut who sleeps with politicians: a ready-made brand for your work. I always said that a platform isn’t something you do or get, it’s who you are. Continue reading “The Benefits of Anthologies”

Tips From the Masters: Deborah Sharp

Deborah Sharp isn’t a literary giant. But she’s working on it. Her Mace Bauer series is gathering a large, rabid fan base for a book on a small press. Aided by visibility like her talk about “Mama Sees Stars” on the Today show–but largely good old word of mouth, the good book’s main ally. Smart, funny, kicked-back, and above all Southern, she and Mace (and the spotlight character, Mace’s Mama) are carving out a lively niche for fans of humorous Southern mysteries—and gathering fans from non-crime readers of titles like “Steel Magnolias” or “Fried Green Tomatoes”. If that sounds at all interesting, I’d heartily suggest a look at “Mama Does Time” or others in that series.

And it’s worth noting that her writing skills didn’t start with fiction: she was a stalwart at USA Today for years, bringing you chilling tales of deadly animals and evil humans. Continue reading “Tips From the Masters: Deborah Sharp”