I’m constantly looking at book covers as part of my “job” here at Indies Unlimited. I run into authors posting their covers in groups all the time, asking for input. So I see a LOT of covers. And most of them all have the same issues.
What I find most ironic is that the same people keep posting book covers with the same problems. I don’t get that. Please allow me to make something perfectly clear. And I’m not just making this up to be difficult or bossy or right. I’m speaking from experience. I enjoy providing my own cover art to my small Indie publisher – and because of that, I’ve taken some lumps. But I’ve also learned some important things about book covers. I share this knowledge freely, to help my fellow Indie authors. Book covers are important. We all want to make a good first impression. Book sales count on it. Continue reading “Judging a Book by Its Cover”
[This is part 3 of a series of articles by Lin Robinson featured on Indies Unlimited. For part 1, click here. For part 2, click here.]
I mentioned last time that many of the rules are actually fads. And if you are around for awhile you see them come along, build to hot intensity, then lapse as another takes the center stage of absolute conviction. The tropes below have all been hot buttons for a year or so over the past five years, and still linger around in the blogs and discussions and “12 Things That Will Damn Your Writing Career For Eternity” videos that people link to on social media. In addition to the recommended practice of checking with published books, I’m offering some quickie MythSmashers here.
Adverbs. There are actually people who will tell you to avoid them entirely. They are “lazy writing”, Avoid them with “strong” verbs. Balderdash, say I. Apart from the general, “There are no wrong words” concept, adverbs are extremely useful and do much more than switching verbs around. That’s why we have them. Same reason painters don’t stick to primary colors. Try rewriting this to use a strong verb that eliminates the need for an adverb. Continue reading “Breaking the Rules (Part 3) – by Lin Robinson”
The previous episode was a bit of a list, a romp through options for action and suspense. This one is more of a story, which seems apposite. Heeding the body’s call to wind down, make meaning and finish is, when observed minutely, a relatively lyrical testament to what it means to be human.
Part 3: Dying Slowly (links for part 1 and part 2.)
I’ll begin with an explanation. I’d hate you to think, despite an apparently obsession with death, that I am a miserable person who gatecrashes funerals for the opportunity to wear black and be solemn. I’m actually quite happy, when not trying to produce 750 – 1000 words on something that makes you sound really weird. Continue reading “Getting it Right: Dying Slowly (part 3 of 3)”
[This is part 2 of a series of articles by Lin Robinson featured on Indies Unlimited. For part 1, click here.]
As foreshadowed in the opening column in this series, we’re going to examine the whole idea of “rules” for writing the English language, and examine how non-real rules get passed on and even amplified.
One way to look at this would be, “It you say that’s a rule, show me the rule book.” Because there isn’t one. This isn’t baseball or chess, it’s a living organ of humanity. You can whip out your Funkin’ Strunkin’ Wagnals–or better yet, a UPI stylebook–but is it such a great idea to write our novels in the style of newspapers or academic theses?
Here’s something the rule mavens don’t mention, and probably don’t even know: there are no official rules for English. Seriously. French and Spanish have official academies that issue the law for those tongues, but English doesn’t. Writers in those languages break the rules, too, but somebody could look it up if they want to be persnickety. “La Academia Real del Castellano dice que no.” “You imperialist Americaines wish to pollute the sacred Gallic tongue with your garbage Yanqui merde.” But you can’t do that in English, there is no governing body. It’s a democracy. Which means the people make the rules. The statement, “Everybody uses that word the wrong way,” doesn’t really make any sense in English. If people use it different, we change the dictionaries. It’s an organic, evolutionary process. That’s not a call for anarchy: there are grammar books (most of which agree with each other). But is grammar the main issue here? There is no grammatical rule against using adverbs or passive voice. They are just styles, not rules at all. Continue reading “Breaking the Rules (part 2) by Lin Robinson”