Recently, while out for lunch with my editor, she remarked that my work always contains strong female characters. While this is true, what she said made me think more deeply about my motivation and what I look for in a strong female character.
Not long after that I did a beta read for a fellow author which made me think in a new way about my own writing and what I look for as a reader. Yes, the author you do a favour for may not be the only one to benefit. Haha. Continue reading “A Different Take on Strong Female Characters”
For the first time in history, we are experiencing at least four generations laboring side-by-side in the workplace. In fact, six living generations exist representing six distinct groups. Collective experiences in life — wars, financial collapse, tech bubbles, nation building — have formed collective characteristics of like-minded people within each of these groupings. There’s a little variance in the classification of these generations but it looks like this: Continue reading “Getting it Right: Characteristics and Traits of your Supporting Cast”
You are unlikely to recall my wail of despair a few months ago regarding making the switch from non-fiction to fiction. Just in case you have been fretting on my behalf however, it’s sort of going ok, thanks. And I’ve had an idea. I don’t actually know yet whether I’m a plotter or a pantser so I have been trying to work with a few ‘rules’, to see where they lead me. If they go nowhere, I will stop trying to plot and begin to just pants. Which is kinda rude if you’re a Brit. Where was I? Oh yes…
I was reading RJ’s brilliant post about story bibles last month and followed her trail back to Arline Chase’s post about character creation. I dutifully set about fleshing out my people in the manner described. I set up a spreadsheet, honestly I did. It had all the stuff on it that you need to know about your people, their motivation, their challenges, their appearance, childhood, food choices, the lot. And I sat and looked at it for ages. I put two characters’ names into the right spots and stared at the empty boxes. It felt like those awful ‘comprehension’ exercises that people in their late 50s who were educated in the UK may recall. You read a passage from a book, which you might have quite enjoyed, but then you had to spoil all that by proving to someone else that you understood what it meant. Continue reading “Playing With Character Interviews”
When at a loss for something new to write about on the art of writing, the ever-encouraging K.S. Brooks suggested to me that I should discuss the art of research for writers. She’s impressed by the fact I’m, apparently, the last person on earth who still goes to a library to do research (lest you think I’m the only one who patronizes the library, I will point out there are many individuals at my local branch – mostly homeless people trying to stay out of the cold or kids with laptops who like the free wifi).
Anyway, I’m not sure how much I have to say about techniques of research when it comes to writing, particularly for those interested in writing fiction. But what I can speak to is how my penchant for thorough research – primarily for my non-fiction writing but also to get certain facts straight in fiction as well – comes from a background in journalism. I think it was the author Tom Wolfe who noted that the best thing any aspiring novelist could do for his craft would be to spend a few years working as a journalist. Wolfe’s belief was that the world, when examined up close through the eyes of a professional observer, held a plethora of interesting stories, individuals and small details which could serve you the rest of your life in creating “fiction” that would ring true. While I’m not recommending anyone become a journalist (unless you’re prepared to make sub-minimum wage) I do think many of the skills one picks up as a reporter of non-fiction events can be transferred over to the realm of fiction writing. Continue reading “Stop the Presses: How Journalism Helps Authors”