The Landfall Essay Competition, sponsored by Otago University Press, is now accepting submissions. The purpose of the competition is to encourage New Zealand writers to think aloud about New Zealand culture, and to revive and sustain the tradition of vivid, contentious and creative essay writing. Essays should be unpublished, fully developed, independent works and no more than 6000 words long. .
Entry Fee: None noted
Deadline: July 31, 2015
Prizes: The winner will receive publication, $3000, and a year’s subscription to Landfall.
For more information, please visit their website.
Indies Unlimited is pleased to provide this contest information for the convenience of our readers. We do not, however, endorse this or any contest/competition. Entrants should always research a competition prior to entering.
According to Big Al’s Publishing Process Survey, only 45 of the 85 respondents paid to work with an editor, although another 17 traded services. There are a number of reasons, ranging from the artistic to the monetary, for deciding not to work with an editor. I’ve taken the other path and worked with at least one editor on every project I’ve published. It’s my single biggest publishing expense on each book, which, given my propensity for thrift, shows how much I value my editors’ feedback.
When writers do choose to employ a professional editor, they normally do it at the end of the process, either working with a copy editor or a proofreader. I do that as well, but I also work with a developmental editor often before I type the first words. I’ve talked about this with enough fellow writers to realize I probably lost a few of you right there: The process of creation is sacrosanct. I just want an editor to clean up my grammar and look for a few bad habits. I don’t want them to interfere with my creative vision. Continue reading “Is a Developmental Editor Right for You?”