Here is the situation: You have written a mystery, police-procedural, thriller, spy novel, western, or something of the like. Now you get to the part where there’s a dead guy. You killed off a character. Maybe your bad guy killed the person. Maybe your good guy killed the person.
It ramps up the drama. It gives urgency and purpose to the story. Maybe the good guy has to stop the bad guy before he kills again. Maybe the vigilante just wrought his first bit of rough justice. Continue reading “How Well Did the Reader Know the Decedent?”