After recently participating in a thread on a book discussion group regarding great literary action scenes, it got me to thinking of what are the best written fight scenes in literature and just what it is that makes a great fight scene on the written page.
The latter questions is, perhaps, the more difficult one to answer. A sense of knowledgeability on the part of the author leading to some realism in the scene is obviously helpful. A great example of a writer who has “walked the walk” is Thom Jones. A former U.S. Marine and amateur boxer, Jones has written some brilliant short fiction, a few revolving around the dark places of human experience that combat can lead to. His story, The Pugilist at Rest, contains a short but memorable description of what it’s like to engage in a boxing match you’re not quite prepared for:
“He put me down almost immediately, and when I got up I was terribly afraid. I was tight and I could not breath. It felt like he was hitting me in the face with a ball-peen hammer. It felt like he was busting light bulbs in my face.”
Unfortunately, most authors are not known for their pugilistic skills. As a group, they often tend to be observers and thinkers, rather than doers and brawlers (Besides Jones, there are a few other odd exceptions to this rule. Hemingway was known to step into the ring on occasion but, sadly, “Papa” did not depict that many fight scenes in his work). Consequently, most written fight scenes, at least to the expert observer, lack a sense of veritas. However, there are exceptions to the rule in which even unrealistic fight scenes have been portrayed in gripping passages. Continue reading “The Fighting in Writing by Mark Jacobs”
