Guest Post
by William Munns
In my last article, we discussed the bizarre challenge of proper script formatting and coming to terms with the absurd appeal of “more white on a page.” If your literary integrity has survived reducing your work to an anorexic level and you feel you have a wonderful movie/TV/media script, you are now ready to try and sell it. If you’ve sold to any other publishing medium or industry, and think that the movie/TV script selling process is the same, change your name to Alice and start chasing the White Rabbit into Wonderland.
I don’t say this to intimidate, because in an absurd sort of way, selling a script is actually quite pragmatic in its current process. You buy your way to a sales opportunity. Gone are the days of discretely greased palms, bribes, kickbacks, and similar under-the-table attempts to gain the recommendation or accessibility of a person who can get you closer to a buyer. Now, the process is remarkably open and publicized, with credit cards and PayPal gladly accepted. The trick is to buy your opportunities in the right order. Continue reading “Buying Opportunities to Sell Your Script”