Nowhere, I submit, is the upheaval in the publishing world more apparent than at writing conventions. At last year’s World Fantasy Convention in San Diego, I attended a panel during which an agent (or maybe she was an editor) made some disparaging remarks about self-publishing, and a few audience members stood up and respectfully explained to her why she was wrong.
Fast-forward to 2012. This year’s World Fantasy Convention, in Toronto last weekend, featured a whole panel discussion about e-publishing.
One end of the dais seemed to be spewing dinosaur breath. The former editor-in-chief of Del Ray (Random House’s speculative fiction imprint), Betsy Mitchell, complained that her business is drying up; she said indie novelists aren’t willing to pay $3,500 for the kind of top-notch professional editing job she can offer. (I wondered whether it had ever occurred to her that the vast majority of indies simply can’t afford her.) Next to her sat Robert Runté, an acquisitions editor for a small Canadian press, who called the indie trend of using beta readers “editing by crowdsourcing.” He also said he used to write reviews of speculative fiction novels for money – but “that job is gone.” Who’s taking up the reviewing slack? Bloggers, said Emily Craven (although apparently she doesn’t review books on her own blog). Continue reading “What a Difference a Year Makes”
Author Emma Meade is pleased to announce the