I’d heard rumors he wanted to see me; I knew they’d come, sooner or later.
There was a bang on the door just as I was turning in for the night. I pulled on my jacket and a large bearded man wearing glasses waved me into the passenger side of an old pickup. Before I could ask where we were going he slammed the vehicle into gear and started talking into his cell phone, ignoring me.
“Yes, m’am, no, m’am.” He kept saying the same things again and again, into the old flip-style phone.
It took a few minutes as he navigated us through the dark streets before I recognized him.
“You’re Rich Meyer. You work for them.”
He lowered his glasses and looked at me. Then covering the phone he said, “Sshhhh, it’s Amazon,” and, went right back to his “yes m’ams, and no m’ams.”
Meyer wasn’t the man. He was just the driver and when we pulled into the Greyhound station I knew my evening was just beginning.
“You’ve got to be kidding? We’re going on a bus?”
Without missing a beat, he covered the receiver with his hand. “No buddy, you’re getting on. Here’s your ticket, sit beside the woman knitting the sweater.”
I stepped out of the truck and he drove off, still talking into his phone.
There was an empty seat beside a blue-haired old lady. She was knitting some kind of a sweater that had three arms, two of which were touching the floor in front of her. I squeezed in and began to ask where we were headed.
The pain from a knitting needle being stuck into the back of your hand is sharp and hurts like hell. I winced and yelped, yet no one looked around.
“Don’t complain, and don’t look at me. Read this and don’t look up until I tell you to.”
She pulled the needle out of my hand and placed a thick manifesto on my lap. I moved slightly away from her and covered the hole with my other hand, stemming the flow of blood. That’s when I realized I was sitting beside Kat, his co-conspirator, and some say, the co-author of the manifesto. The wig was fake and her face was caked with old lady make-up. This was no ordinary old knitting woman. I was sitting beside his number two.
We drove for hours. I read the document, learning their tactics, the part they were playing in the self-publishing revolution and how they were achieving their goals. When I tired and my eyes drooped, the knitting stopped, and the needles were raised in warning, and I’d continue reading, learning about terrorism and counter-terrorism and social disorder and how to create a Facebook event.
When the bus finally stopped we were at the bottom of a long driveway, far out in the country. I knew it was my stop, I just knew it.
“Front door, walk in. Don’t knock. He hates knocking.”
I wanted to thank her. I’m not sure why, but then I remembered the hole in the back of my hand and quickly got off the bus.
It was a big house, old and gloomy. I walked into a large front room and adjusted my eyes to the half-light.
They were lined up in rows, typing on old-fashioned typewriters, clicking away in unison. I didn’t know their names but I recognized the faces from their author profiles. Standing over them was Big Al, his go-to guy. Al opened both sides of a large double door at the back of the room and motioned for me to enter. Then, just as quickly as I walked through, he closed it, and I heard a bolt being clicked on the other side.
I was in a small room. It had a desk against the far wall, no chairs, just a solitary candle flickering away on the ledge of the room’s only window. I walked over to the window, wondering if I could crawl out, and when I turned he was behind the desk in some kind of chair that had no arms or legs, just floating there, watching me.
“Crosbie.”
“Hise.”
Finally, I was face to face with the man himself. The Tony Soprano of the indie movement-Stephen Hise.
“Good trip?”
“It was a bus. I got here on a bus,” I said, rubbing the hole in the back of my hand.
We stared at each other, then he smiled, and a little gold tooth glinted at me in the darkness.
“Are you in?”
There are times in your life when, no matter what the question, there is only one answer. I nodded, and just as I did the candle behind me flickered. I looked back, and somehow it stayed lit. When I returned my gaze to where he’d been levitating behind the desk he was gone, and I was in, the newest contributor to the Indies Unlimited staff. Glad to be here, glad to be part of the lunacy, glad to be part of history. Thanks for having me.
My levitating recliner was in the shop.
LOL! Welcome aboard, Martin. Have some gruel.
(Kat didn’t try the knitting trick on me. I pack my own needles.)
Thank you Lynne.
In my case the electric shock was delivered remotely via my computer. Yeah, even though I’m far away I am under surveillance and the shocks get stronger when I don’t produce. To this day I don’t know they managed to rig my computer.
Even the gruel somehow gets here, ration directly proportional to output. Makes that room with the typewriters sound downright homey.
Aren’t we always under surveillance anyway, Yvonne? I’ve thought that since I was seven years old.
Oops, did I say that out loud?
Thanks for your comment.
I’m speechless. Luckily my fingers still work on the keys, but I’ve been struck with feelings of inadequacy.
Thanks Al, I look forward to your posts.
Fabulous! Welcome aboard! PS: Rich’s flip phone opens up into a floatation device, as does Kat’s wig. At some point, you’ll need to know that.
Oops. “Flotation.” NO! Not the knitting needles!
See, nobody told me that, and it certainly wasn’t covered in the manifesto. Thanks for looking out for me Laurie.
Wonderful.
But, who was driving the bus? 🙂
I think you’ll find that might have been me. Unrecognisable since Hise refused my requisition for an Indies baseball cap. Hello Martin, thanks for the giggle, I needed one today. 🙂
Ah, quite right. The EM always employs professionals. 🙂
I am designing an IU fedora adorned with a peacock feather for the ladies and an alligator band for the men. Style is always paramount.
You know, there’s a novel just waiting to happen in all of this. Amazon wants serials, maybe we should consider a group serial?
All it would take is compiling a story of all the abuse, I mean experiences that we went through joining IU.
Martin, you are clever and wily. You’re the first to realize I am a master of disguise with sick ninja knitting skills. Welcome aboard!
You know I needed stitches, didn’t you. I mean fun is fun but stitches? It’s lucky you didn’t hit my leg…
Thanks for the welcome my friend, very much appreciated.
Hey, I coulda sewn that up for you, you know. I carry all sorts of needles with me. 😉 And I look forward to getting up your way sometime soon…sans needles. No worries. 🙂
Thank you all, once again, I totally appreciate the welcomes.
It’s a little tough to type tonight, still nursing that hole in the back of my hand but it’ll get better. I’m sure it will.
Funny, Martin, nice sense of humour, and it’s your best stratagem for defence here.
My thoughts exactly, T.D. Thanks for your comment, good to meet you.
Welcome aboard sir. It’s good to have you. You might want to avoid the typewriter on the back row. The exclamation key tends to stick; which is okay if you’re not prone to shouting I suppose.
KD, I haven’t moved up to typewriters yet. I was given a yellow legal pad and a box of chewed up pencils. One day I’ll be up beside you guys but for now I’m the guy in the corner scribbling away.
Nice opening salvo!
Thanks David, appreciate that. I’ve enjoyed many of your posts.
You and I are actually just across the river from each other. Email me and let me know if you’re doing the Surrey writer’s conference if you like. It’d be good to connect.
Oh, you’re kidding me! That’s fantastic. Um, not sure where to find your email address, but mine is [email protected]
Funny. But unfortunately, now that you’ve talked about the initiation bus, you will have to be killed. Apparently you missed that part in the manual.
The initiation bus, I LOVE it. That’s perfect.
Already sleeping with my eyes open Krista, I’ll be waiting for you guys.