Month: March 2013

Narrative Voice: Breaking the Rules

Guest post
by Mark Hamner

As I worked to complete my third book, Cinder’s Reach, I encountered a situation which led me to think about narrative voice rules and if it’s ever okay to break them. I believe that most of the time the answer is no, but there may be some situations in which it’s not as cut-and-dried.

For those perhaps new to writing, narrative voice can be thought of as the general perspective of the story. The narrative voice goes hand-in-hand with the narrative point of view. Some common narrative voices are first-person character voice (“I wonder what Jennifer is thinking”), third-person limited voice (“Mike had no idea what Jennifer was thinking”), and third-person omniscient voice (“Mike was confused; Jennifer was furious.”)

My Echo Chronicles series is written in third-person omniscient voice. As you know, that means I follow the characters in a “He said,” “He went,” “He thought,” manner, and I give my readers insight into the thoughts and feeling of more than one character. My story does, of course, have a protagonist, and his is the main point of view and narrative voice, but I do drop into others as well. I have four main characters, and all four have lent their voices to the story at various times. This worked well for me through my first two books, but I hit a snag in the third. Continue reading “Narrative Voice: Breaking the Rules”

Codebreaking for Beginners

Last month I was busy making new business cards to distribute to unsuspecting tourists (see my post “Stop me and Buy One”.) I checked out what information should be on my card and having established that I needed to put some of my book covers on the back, and an eye catching simple design on the front, I discovered that I should really add a QR code. Yes, those foxed me too, but wait a minute and you too will find out that QR codes are utterly brilliant.

The QR code was invented in Japan by a subsidiary of Toyota to track vehicles during manufacture. It was designed to allow high-speed component scanning and has since become one of the most popular types of two-dimensional barcodes. QR codes then became common in consumer advertising. Smartphone users or iPad owners can install a free app with a QR-code scanner that is able to read a displayed code and convert it to a URL, which in turns directs the smartphone’s browser to the website of the company, store, product. Continue reading “Codebreaking for Beginners”

The Fiction Desk Ghost Story Competition

The Fiction Desk usually publishes stories that are more or less realistic, but now they want your ghost stories. All types welcome.

The competition is open to all English-speaking writers 16 and over.

Prizes: First prize, £500; second prize, £100. Both winners will be published in an upcoming Fiction Desk anthology.

Reading fee: £6 per story and £9 for two stories submitted together.

Deadline is May 31, 2013. For more information, please visit their website.

Indies Unlimited is pleased to provide this contest information for the convenience of our readers. We do not, however, endorse this or any contest/competition. Entrants should always research a competition prior to entering.

Thoughts on Killing Off a Character

Guest post
by Sophie Schiller

In my novel, “Spy Island”, the protagonist, a girl named Abigail, is compelled to cross the Caribbean Sea by steamer during WWI to live with her spinster aunt. On the journey, she strikes up a friendship with Ian, an Irish sailor. I incorporated those witty Irish expressions and that unmistakable Irish humor that wraps around you like a Shamrock wool blanket.

Ian’s Irish red hair burned the pages of my manuscript. His Cheshire cat grin, his twinkling eyes, his Gaelic sense of humor and manner of speaking, and his vulnerability captivated my Writing Class. And now we come to the “killing off part”. Out of a sense of duty and patriotism, Ian stalks a wanted German spy and turns up dead—a corpse lying in a pool of blood—on the boat deck.

The ladies in my Writing Group bristled at this notion. They demanded a rewrite. “But it’s crucial to the development of my story,” I argued. “If Ian doesn’t die, Abigail has no reason to hunt down German spies.” They shook their heads. “Change it!” they demanded. Again my brow wrinkled. Change it? And so, pen in hand, I kept the ominous pool of blood but removed the corpse. They were satisfied. But the question remains. When is it appropriate to kill off a character? Continue reading “Thoughts on Killing Off a Character”